Wrapping up my lists for the week is such a relief. I have multiple weekend meetings with anxious holiday clients trying to wrap up details of projects that "must be here", and holiday decor that "must be perfect", and the world is good.
It never ceases to amaze me the support that I receive from the design trade suppliers in Mid Ohio. I have become accustomed to overwhelming customer service, continued support and generosity. We do have some of the best "to the trade" resources that I have ever seen. They just flat out respond to a rushed schedule and an impossible day. I tend to frequent the ones that can respond to my impossible deadlines, with a smile. They get my business on a more controlled leisurely day, to thank them for being there when it was just plain crazy.
I have to mention one such person that is above the rest in attitude, creativity, and personal responsibility. That is Monica from Ruth Wilson Showrooms. I can call and describe a problem to her and in ten minutes I have a call back with multiple vendor solutions, complete with stock information, shipping suggestions, and fabrication suggestions. She knows this industry and is not afraid to take on a challenge. I do not know what I would do with out her on a daily basis.
Thanks Monica.
Thursday, October 29, 2009
Bathing Beauties
It seems that there is never enough time to talk about the truly luxurious parts of our lives, much less really enjoy them. I am talking about bathrooms, the luxurious place that we come to, to soak, revitalize our skin, moisturize our bodies, and make our feet perfect again.
I love a neutral bathroom accented with texture and gilt. Silver, gold, copper, or bronze. Never ever can be too much of it in a space that reflects our skin back to us. Cream, white, taupe, and beige are all restful, and inviting for that half hour of indulgence that we all long for.
My best memories in New Albany are in my first master bath here. I remember feeling scared about my new adventures, a little weary from court proceedings in my divorce, and overwhelmed with grown up children problems and sinking into that big hot steamy tub - where everything just floated away. I would stay until my toes were pruney and my mood was wistful. I would wind down and steam myself into dreamland. Now going back to that house, and recreating all the spaces that I miss so much will be a wonderful dream come true.
So now recreating and improving will include some crystal, some silk, and of course caramel velvet with multiple silk trims and huge tie backs. And of course some hot steamy bath time with pruney toes. Life just never stops surprising me.
I love a neutral bathroom accented with texture and gilt. Silver, gold, copper, or bronze. Never ever can be too much of it in a space that reflects our skin back to us. Cream, white, taupe, and beige are all restful, and inviting for that half hour of indulgence that we all long for.
My best memories in New Albany are in my first master bath here. I remember feeling scared about my new adventures, a little weary from court proceedings in my divorce, and overwhelmed with grown up children problems and sinking into that big hot steamy tub - where everything just floated away. I would stay until my toes were pruney and my mood was wistful. I would wind down and steam myself into dreamland. Now going back to that house, and recreating all the spaces that I miss so much will be a wonderful dream come true.
So now recreating and improving will include some crystal, some silk, and of course caramel velvet with multiple silk trims and huge tie backs. And of course some hot steamy bath time with pruney toes. Life just never stops surprising me.
Tuesday, October 27, 2009
Climbing the Mountain
Okay now remember the words of wisdom that ring in my ear at moments like this.
Climb the mountain one step at a time. When there is so much great work.
When every client is your favorite, and you will not allow yourself to have a
mis step. When business is blossoming all around you, and you make lists of
your lists, just keep climbing one step at a time.
Each day of fabulous design work is a gift from the design Gods.
Every interior that is changed because of insight, experience and industry
knowledge is a beautiful creation that is there only because of you. (and yes in ten
years they will change it and call you back)
Design is a really fun business. But it is a business, don't forget.
Your best clients become your friends.
Your more difficult clients won't look at you at Kroger.
Your best friends are oftentimes not the best clients. (that goes for family too)
Your mother calls you when you are just plain tired and tells you how much you mean to her.
Your laundry still needs to be done, your dusting is still never done, and the dishes are piling up.
Business is strong. We will embrace every step of this process. And be grateful for a chance to make a difference.
Climb the mountain one step at a time. When there is so much great work.
When every client is your favorite, and you will not allow yourself to have a
mis step. When business is blossoming all around you, and you make lists of
your lists, just keep climbing one step at a time.
Each day of fabulous design work is a gift from the design Gods.
Every interior that is changed because of insight, experience and industry
knowledge is a beautiful creation that is there only because of you. (and yes in ten
years they will change it and call you back)
Design is a really fun business. But it is a business, don't forget.
Your best clients become your friends.
Your more difficult clients won't look at you at Kroger.
Your best friends are oftentimes not the best clients. (that goes for family too)
Your mother calls you when you are just plain tired and tells you how much you mean to her.
Your laundry still needs to be done, your dusting is still never done, and the dishes are piling up.
Business is strong. We will embrace every step of this process. And be grateful for a chance to make a difference.
Tis the Season
Fall and winter are totally my busiest times of the year.
Everyone just kind of wakes up and realizes that they need to get ready for the holidays, and it almost assuradly includes something to do with changes inside their homes. I welcome this "going inside time" and think it is part of the Midwest nesting process. I do it too.
Almost all of my clients have contacted me in the last four weeks and I have added at least 10 new projects to the mix of work that I was already involved with. I think that Columbus is a miraculous place to live and work. We are all lucky to be here.
From Home theatres, to Master Bedrooms, numerous dining rooms, countless living rooms, family rooms, guest bedrooms, and of course kitchen changes, the tempo has certainly picked up in Columbus Ohio. That is not even mentioning my Michigan clients. Christy Collection Inc. has blossomed into a firm of creative thinking, and achievement faster than I dreamed possible.
As we venture inside, remember to take stock of outdoor rooms, and garden areas and prepare them for more brutal exposure. Bring in all cushions, cover and enclose grills, or remove tanks or gas connections and store them inside. Remove draperies, accessories (candles, lamps, area rugs) that might not deal with freeze and thaw real well. My screened in porch is a haven year round. It is a favorite kids hang out (I think it is because it is kind of away from adults) and has to stay in tact, rain or snow included. My decor (as you know) is fairly bullet proof, and I will test it one more time.
Garages need to be cleared out, garage sale time, and snow blowers prepped for winter and kept at the ready. Cars need to be able to be stored inside so that you can get in and be toasty right away. Nothing makes us more upset than having to scrape ice or snow off a windshield because the car does not FIT in the garage.
This is a great time to donate extra acquired goodies to the shelter, habitat for Humanity, or church bazaar, as everyone is getting ready for holiday fundraising for people that sincerely need our help. Remember that most of them will give you a receipt for a write off, and it feels so good to help others.
I am heavily engaged in Holiday Decor and start installations at the beginning of November. My calendar is booked this year. It will be an amazing season.
If you need holiday cheer, stay tuned. This company and my family have alot to be grateful for this year and we will be looking for ways to give back. Join us.
Everyone just kind of wakes up and realizes that they need to get ready for the holidays, and it almost assuradly includes something to do with changes inside their homes. I welcome this "going inside time" and think it is part of the Midwest nesting process. I do it too.
Almost all of my clients have contacted me in the last four weeks and I have added at least 10 new projects to the mix of work that I was already involved with. I think that Columbus is a miraculous place to live and work. We are all lucky to be here.
From Home theatres, to Master Bedrooms, numerous dining rooms, countless living rooms, family rooms, guest bedrooms, and of course kitchen changes, the tempo has certainly picked up in Columbus Ohio. That is not even mentioning my Michigan clients. Christy Collection Inc. has blossomed into a firm of creative thinking, and achievement faster than I dreamed possible.
As we venture inside, remember to take stock of outdoor rooms, and garden areas and prepare them for more brutal exposure. Bring in all cushions, cover and enclose grills, or remove tanks or gas connections and store them inside. Remove draperies, accessories (candles, lamps, area rugs) that might not deal with freeze and thaw real well. My screened in porch is a haven year round. It is a favorite kids hang out (I think it is because it is kind of away from adults) and has to stay in tact, rain or snow included. My decor (as you know) is fairly bullet proof, and I will test it one more time.
Garages need to be cleared out, garage sale time, and snow blowers prepped for winter and kept at the ready. Cars need to be able to be stored inside so that you can get in and be toasty right away. Nothing makes us more upset than having to scrape ice or snow off a windshield because the car does not FIT in the garage.
This is a great time to donate extra acquired goodies to the shelter, habitat for Humanity, or church bazaar, as everyone is getting ready for holiday fundraising for people that sincerely need our help. Remember that most of them will give you a receipt for a write off, and it feels so good to help others.
I am heavily engaged in Holiday Decor and start installations at the beginning of November. My calendar is booked this year. It will be an amazing season.
If you need holiday cheer, stay tuned. This company and my family have alot to be grateful for this year and we will be looking for ways to give back. Join us.
Friday, October 23, 2009
Sometimes We Just Need to Spell it All Out
Interior Design is half passion, and half knowledge. I have known and employed many designers in my extensive tenure as an interior designer and the ones that I remember and enjoy are the ones that are truly passionate about their work. No one should be involved with a designer that does not enjoy what they do. It is counterproductive to the process.
Christy Collection Inc. is a unique interior design firm. We do work for many different kinds of clients, but one thing is consistent. Every one wants to have their dollars spent wisely on products, finishes, and accessories that will enhance their lives and possibly be handed down to future generations. This is an investment attitude of designing a space. Most ASID designers, like us, have huge amounts of resources available to them, if they have managed their credit, and their manufacturer relationships. Christy Collection Inc. happens to be extremely fortunate, as very high discount dealers of most lines. We simply buy products cheaper than most of our peers, because of our credit rating, our volume and our payment history. We are credible business people, as well as very talented designers. It takes both to survive in the design meccha that we live in.
Our history with many different types of interiors is very vast. We have designed extremely specific researched historical spaces, nouveaux contemporary spaces, and a huge mix in between. Our clients are not always the elite, or the rich and famous. But most of our clients do understand the trust and assurance that working with a good team of design professionals brings to a project. We just know where to get installation assistance for all parts of a project. We know where to order, and how much we should be paying. We know which products will last, which ones need TLC and which ones to put in an eight year olds bedroom. Christy Collection Inc. not only does vast residential work in the Midwest, but we also design vast amounts of Healthcare space every year. Problem solving at it's most urgent and cost effectiveness.
Christy Collection Inc. has excellent references, an extensive array of satisfied customers, and a very successful track record in getting the project done, ontime and in budget. We are experienced and creative in all aspects of the interiors project. But mostly (importantly) we are fun to work with. Getting a project done is one thing. Enjoying doing it, is another.
Please visit our website at www.christycollectioninc.com, and our facebook page under Christy Collection Inc. and our new blog at http://activerain.com/blogs/clchristy4544 (this blog is a recreation of our main blog here for the real estate industry. We are pleased to serve you, and pleased to communicate with you.
Christy Collection Inc. is a unique interior design firm. We do work for many different kinds of clients, but one thing is consistent. Every one wants to have their dollars spent wisely on products, finishes, and accessories that will enhance their lives and possibly be handed down to future generations. This is an investment attitude of designing a space. Most ASID designers, like us, have huge amounts of resources available to them, if they have managed their credit, and their manufacturer relationships. Christy Collection Inc. happens to be extremely fortunate, as very high discount dealers of most lines. We simply buy products cheaper than most of our peers, because of our credit rating, our volume and our payment history. We are credible business people, as well as very talented designers. It takes both to survive in the design meccha that we live in.
Our history with many different types of interiors is very vast. We have designed extremely specific researched historical spaces, nouveaux contemporary spaces, and a huge mix in between. Our clients are not always the elite, or the rich and famous. But most of our clients do understand the trust and assurance that working with a good team of design professionals brings to a project. We just know where to get installation assistance for all parts of a project. We know where to order, and how much we should be paying. We know which products will last, which ones need TLC and which ones to put in an eight year olds bedroom. Christy Collection Inc. not only does vast residential work in the Midwest, but we also design vast amounts of Healthcare space every year. Problem solving at it's most urgent and cost effectiveness.
Christy Collection Inc. has excellent references, an extensive array of satisfied customers, and a very successful track record in getting the project done, ontime and in budget. We are experienced and creative in all aspects of the interiors project. But mostly (importantly) we are fun to work with. Getting a project done is one thing. Enjoying doing it, is another.
Please visit our website at www.christycollectioninc.com, and our facebook page under Christy Collection Inc. and our new blog at http://activerain.com/blogs/clchristy4544 (this blog is a recreation of our main blog here for the real estate industry. We are pleased to serve you, and pleased to communicate with you.
Thursday, October 22, 2009
Holidays Rushing Toward Us
This last respite of warm weather, and all of it's glory has been so good for my soul. I have enjoyed it with gusto, used it to accomplish goals, embraced the weather and basked in the sun whenever I could. So now tomorrow's colder temps and storms rushing in will be welcome, as change is welcome in our lives. The holiday season is fast approaching and Holiday Decor season is closing in on Christy Collection Inc. My dates are set, and installs are all scheduled, with adjustments and changes noted with each client. I love this time of year. I get to connect with all of my happy decor clients and plan their family holiday celebrations, support their parties, and get organized for the holidays with a cast of many. This year the theme that is most popular is an elegant family traditional theme. Golds, silvers, bronze, and copper are being accented with lots of white, and pearl. Red is always popular, but this year it has ebbed a bit and seems to becoming deeper, more cranberry.
Garlands are being decorated with fruits and berries. Trees are glowing with white lights (mainly) and natural accents of nature, pine cones, floral accents, deeper metallics and moss greens. Lots of very tall trees. Lusher mantles, with candle light and floor touching boughs. Coordinated exterior entryways, with heavy embellished garlands, wreaths, with natural accents, and deeper metallic details.
Many of my holiday decor clients entertain all season. Family parties, office parties, luncheons, wine tastings, intimate family dinners, and the private family hearth where presents are opened and Christmas morning happens.
It is so much fun to be invited in to help make these parts of our clients homes special, and maintain family traditions as familes grow, change, and include friends as well.
As the flurry of holiday planning starts, remember to take time to nurture yourself. Set aside down time for just enjoying your home, your small circle of freinds that are the closest to you, and quiet time with your family to see your home early in the morning, late in the evening and as you get ready for sleep. These are the times that children remember the most.
And then of course in early January Christy Collection swoops in, takes everything down, stores it off site, and leaves your home back to normal with no visible signs that we were there at all. That is the service that we provide for Columbus, and have been doing this for many years. That is how we leave you time to enjoy, energy to make it through, and fresh new ideas for next year.
Garlands are being decorated with fruits and berries. Trees are glowing with white lights (mainly) and natural accents of nature, pine cones, floral accents, deeper metallics and moss greens. Lots of very tall trees. Lusher mantles, with candle light and floor touching boughs. Coordinated exterior entryways, with heavy embellished garlands, wreaths, with natural accents, and deeper metallic details.
Many of my holiday decor clients entertain all season. Family parties, office parties, luncheons, wine tastings, intimate family dinners, and the private family hearth where presents are opened and Christmas morning happens.
It is so much fun to be invited in to help make these parts of our clients homes special, and maintain family traditions as familes grow, change, and include friends as well.
As the flurry of holiday planning starts, remember to take time to nurture yourself. Set aside down time for just enjoying your home, your small circle of freinds that are the closest to you, and quiet time with your family to see your home early in the morning, late in the evening and as you get ready for sleep. These are the times that children remember the most.
And then of course in early January Christy Collection swoops in, takes everything down, stores it off site, and leaves your home back to normal with no visible signs that we were there at all. That is the service that we provide for Columbus, and have been doing this for many years. That is how we leave you time to enjoy, energy to make it through, and fresh new ideas for next year.
Wednesday, October 21, 2009
Bali Orphanage and School Update
The birth of the Annie Grace Foundation for the Children of Bali is almost here. I have been researching information about what is necessary to do to establish an orphanage and school in Bali Indonesia. There is so much to do, but my load will be lightened by all of the people that are coming forward offering to help.
My aim all along has been to serve all children of Bali, with a focus on the underserved Hindu children that seem to have the largest need. I am hearing so much about the struggles of female children and young women all over Asia and am just beginning research into how pervasive that problem might be in Indonesia. If need be, I will shift my focus to reach out to those that have been affected by human trafficking or kidnapping. I am here to serve those in Bali that have the most dire need, and those issues will be searched out and discussed with all of those that are lending help.
The book "Half the Sky" by Nicholas D. Kristof offers many connections for those starting schools in Asia and Africa. I am contacting him to open dialogue into what some of the largest needs are for women in Indonesia. He is a seasoned veteran of these causes and a Pulitzer Prize winner for his work on this cause and his writings with the New York Times and his own books. He writes with his Chinese/American wife and serves this cause with she and his children.
I met with my family physician today and she had insight into other research materials that may prove fruitful in my search. I am a student of this process and will proceed slowly and judiciously to make sure that my efforts serve the most need.
My Mother accompanied me on a trip to Bali about ten years ago. She was captivated with the children of Bali and befriended my friends instantly. The school and orphanage are named in her honor, as she has taught me about love for children with how she has loved her own six children and her multitude of grandchildren selflessly and tirelessly. Annie Grace is worthy of this tribute. Bali awaits.
My aim all along has been to serve all children of Bali, with a focus on the underserved Hindu children that seem to have the largest need. I am hearing so much about the struggles of female children and young women all over Asia and am just beginning research into how pervasive that problem might be in Indonesia. If need be, I will shift my focus to reach out to those that have been affected by human trafficking or kidnapping. I am here to serve those in Bali that have the most dire need, and those issues will be searched out and discussed with all of those that are lending help.
The book "Half the Sky" by Nicholas D. Kristof offers many connections for those starting schools in Asia and Africa. I am contacting him to open dialogue into what some of the largest needs are for women in Indonesia. He is a seasoned veteran of these causes and a Pulitzer Prize winner for his work on this cause and his writings with the New York Times and his own books. He writes with his Chinese/American wife and serves this cause with she and his children.
I met with my family physician today and she had insight into other research materials that may prove fruitful in my search. I am a student of this process and will proceed slowly and judiciously to make sure that my efforts serve the most need.
My Mother accompanied me on a trip to Bali about ten years ago. She was captivated with the children of Bali and befriended my friends instantly. The school and orphanage are named in her honor, as she has taught me about love for children with how she has loved her own six children and her multitude of grandchildren selflessly and tirelessly. Annie Grace is worthy of this tribute. Bali awaits.
Indian Summer in Columbus
Okay maybe it is not officially Indian Summer. But it definitely warm and it is fall, so I kind of lumped that all together and decided it is my Indian Summer.
My meetings today took me all over Columbus and busy all day. When I finally got home and could grab the convertible, I was so happy, that I just could hardly contain myself. How can wind in your hair and exposure to sun have such an effect on me? I mean come on, design is a happy profession. Rarely is there a bad day in designing beautiful spaces. I am absolutely relishing the feeling that this is giving me. Kind of reminds me when I rode a bike 10 - 15 miles a day in high school. (could never borrow my Mom's car - it was a tool in our lives, not something for enjoyment) I remember riding down Olentangy, then a scenic road with little traffic, and having the sun explode through the trees at intervals while I rode really really fast. Using my toe clips and moving as fast as I could, wind was across my face and it just felt GREAT to go fast.
I was looking forward to this evening and digging into a project that is a really nice one. Very creative, and wanted to make sure that my muse was working. And it is working. Having a few beautiful days before the onset of colder and soon to be snowier weather has made me cherish this little respite of fun. And as long as I am still being productive, and creating beautiful interiors, then all is well in New Albany Ohio.
So I will work into the wee hours pulling textiles, trims, and color into a symphony of notes that support one another and leave a client breathless in their own home, or something close. This is turning out to be a wonderful week of good solid presentations, good design solutions, and satisfaction in a job well done. I love happy clients, and I have many of them this week.
My meetings today took me all over Columbus and busy all day. When I finally got home and could grab the convertible, I was so happy, that I just could hardly contain myself. How can wind in your hair and exposure to sun have such an effect on me? I mean come on, design is a happy profession. Rarely is there a bad day in designing beautiful spaces. I am absolutely relishing the feeling that this is giving me. Kind of reminds me when I rode a bike 10 - 15 miles a day in high school. (could never borrow my Mom's car - it was a tool in our lives, not something for enjoyment) I remember riding down Olentangy, then a scenic road with little traffic, and having the sun explode through the trees at intervals while I rode really really fast. Using my toe clips and moving as fast as I could, wind was across my face and it just felt GREAT to go fast.
I was looking forward to this evening and digging into a project that is a really nice one. Very creative, and wanted to make sure that my muse was working. And it is working. Having a few beautiful days before the onset of colder and soon to be snowier weather has made me cherish this little respite of fun. And as long as I am still being productive, and creating beautiful interiors, then all is well in New Albany Ohio.
So I will work into the wee hours pulling textiles, trims, and color into a symphony of notes that support one another and leave a client breathless in their own home, or something close. This is turning out to be a wonderful week of good solid presentations, good design solutions, and satisfaction in a job well done. I love happy clients, and I have many of them this week.
Tuesday, October 20, 2009
Found Objects
The use of found objects is an art in interior design.
I developed a keener sense of this in my travels all over the world collecting pieces that became art with a post pedestal, or some kind of bracket that allowed for mounting on the wall.
My favorite found objects to use in interior spaces as art are fragments of clothing with special embroidery, or attachements to them. I first began collecting clothing fragments when I met some members of the Hill Tribes in Northern Thailand. They are persecuted in Burma and cross over into Chiang Mai for opportunities to raise their children in peace. As their lives change, they tear off cuffs from shirts, and collars from jackets. These textiles are heavily embroidered with cotton thread in tiny patterns that are more geometric than most textiles that I collect. I carried these fragments wrapped in tissue paper in my luggage. I would visit my framer and "float " the textiles on dull black matte board, with black wooden frames. The textiles would oftentimes be stitched on to the board to keep them in place. Sometimes three cuffs would be displayed in a row, if the embroidery or base cloth relate to one another. With silver buttons, bugles and hand made ornamentation, these textiles are wonderful to look at framed.
I also collected many garment fragments in Cambodia and China. Both have many "tribes" of people that are disappearing, and their familes are more than willing to sell off pieces of their old clothing. The tribal way of life is being challenged by factory jobs, loss of farming communes, and lack of interest in rural life. The manufacturing in both of these countries has increased so dramatically, that the "old way of life" is not only easily disposed of, but mostly forgotten. The small "local" markets in many areas of these countries are full of textiles that I gathered gladly and transported back to my framers in Michigan, now Ohio. The textiles make lovely art pieces when framed in the way I described. It is art, and it is nice to be involved in perserving.
I developed a keener sense of this in my travels all over the world collecting pieces that became art with a post pedestal, or some kind of bracket that allowed for mounting on the wall.
My favorite found objects to use in interior spaces as art are fragments of clothing with special embroidery, or attachements to them. I first began collecting clothing fragments when I met some members of the Hill Tribes in Northern Thailand. They are persecuted in Burma and cross over into Chiang Mai for opportunities to raise their children in peace. As their lives change, they tear off cuffs from shirts, and collars from jackets. These textiles are heavily embroidered with cotton thread in tiny patterns that are more geometric than most textiles that I collect. I carried these fragments wrapped in tissue paper in my luggage. I would visit my framer and "float " the textiles on dull black matte board, with black wooden frames. The textiles would oftentimes be stitched on to the board to keep them in place. Sometimes three cuffs would be displayed in a row, if the embroidery or base cloth relate to one another. With silver buttons, bugles and hand made ornamentation, these textiles are wonderful to look at framed.
I also collected many garment fragments in Cambodia and China. Both have many "tribes" of people that are disappearing, and their familes are more than willing to sell off pieces of their old clothing. The tribal way of life is being challenged by factory jobs, loss of farming communes, and lack of interest in rural life. The manufacturing in both of these countries has increased so dramatically, that the "old way of life" is not only easily disposed of, but mostly forgotten. The small "local" markets in many areas of these countries are full of textiles that I gathered gladly and transported back to my framers in Michigan, now Ohio. The textiles make lovely art pieces when framed in the way I described. It is art, and it is nice to be involved in perserving.
Summer Salute
On such a warm and special day, I wanted to take a moment to salute the passing summer and give her a rich send off. I enjoyed the 70+ degrees today. Found an excuse to sit in the convertible with the top down and read a new arrived book for an hour. That is rare for me. I just simply decided to slow down, relish the feeling of being warm and sunny, and have a good read in the middle of my afternoon. Hugely indulgent for me.
This summer was one of great professional accomplishments for me. I enjoyed the company of so many amazing clients, accomplishing interiors that suited their lifestyles, met their budget and challenged them to see an expanded view. I got to know more areas of Columbus. The city just keeps opening up to me (being a Michigan transplant is not always easy on this Wolverine)
and offering me more and more experiences that are not taken for granted.
Recently I had the pleasure to work with an extremely giving family. They focus on giving back, and doing it in very personal ways. They teach their children that with privledge comes a tremendous responsibility. These kids have been working in holiday soup kitchens since they could toddle. It is the way that the kids appreciate their holiday celebration with a humble understanding of the rest of Columbus. Their home has been a wonder for me. I challenged myself to add to their lives. My part in their home is growing, and I am actually seeing the fruits of my labor and involvement change the patterns of how they use their spaces. More cuddle spaces. More light and morning time to reflect and direct the day for busy professionals. More cozy family spaces for coming together and sharing the days events with each other. It is so much fun to actually see the interaction get better and better supported by the right furniture and the right placement for how they live. We accomplished alot of these changes this summer. We worked inside and outside. And now as the warm days are waning and the days are getting shorter, it is interesting to watch the lighting in their home change. It is getting more inside oriented and intimate. That transition is nice for the time of the season. I always get hugs from their children as I arrive at their home. They are loving people and the home shows this.
I appreciate the chance to make a difference.
This summer was one of great professional accomplishments for me. I enjoyed the company of so many amazing clients, accomplishing interiors that suited their lifestyles, met their budget and challenged them to see an expanded view. I got to know more areas of Columbus. The city just keeps opening up to me (being a Michigan transplant is not always easy on this Wolverine)
and offering me more and more experiences that are not taken for granted.
Recently I had the pleasure to work with an extremely giving family. They focus on giving back, and doing it in very personal ways. They teach their children that with privledge comes a tremendous responsibility. These kids have been working in holiday soup kitchens since they could toddle. It is the way that the kids appreciate their holiday celebration with a humble understanding of the rest of Columbus. Their home has been a wonder for me. I challenged myself to add to their lives. My part in their home is growing, and I am actually seeing the fruits of my labor and involvement change the patterns of how they use their spaces. More cuddle spaces. More light and morning time to reflect and direct the day for busy professionals. More cozy family spaces for coming together and sharing the days events with each other. It is so much fun to actually see the interaction get better and better supported by the right furniture and the right placement for how they live. We accomplished alot of these changes this summer. We worked inside and outside. And now as the warm days are waning and the days are getting shorter, it is interesting to watch the lighting in their home change. It is getting more inside oriented and intimate. That transition is nice for the time of the season. I always get hugs from their children as I arrive at their home. They are loving people and the home shows this.
I appreciate the chance to make a difference.
Traditional with a Twist
Defining what traditional is for most of my clients is an interesting feat. I have very few clients that follow Jamestown or Williamsburg when looking for inspiration for an interior space. (Although I have had two in my career.) It is more common to have a base of traditional pieces to spring from, with a departure or two (or many more) to bring spaces to a place of personal expression.
Recently a favorite couple that are enjoying the hunting and gathering of completing their new home defined their brand of traditional as "arts & crafts meets contemporary punch". I liked it. And it is really true. When choosing substantial pieces (especially case pieces ) for this client we are straight on - Arts & Crafts. When choosing color, texture, finishes and accents, we have a surprising touch of whimsey that has really made this new home an expression of their self confidence and of their well lived lives.
It all started when I was pouring over photographs of past homes that they have owned. I saw a life collection, of not just art, furniture and accessories, but of smiling family and friends sharing the photos. I decided that what was making all of these people be so comfortable in their surroundings was letting the "life" that this couple have lived shine through in every room. Every room shone with celebrations, yoga practices, feasts, and just hanging around on comfortable furnishings that had no sharp edges or angles. The people had no sharp edges either. They were comfy and silly and not taking anything too seriously.
As our interiors have come together, I am reminded over and over that the success of the spaces rests solely on the adaptation of their lives to these spaces, and the transport of the smiling faces to new surroundings with no interuption of it. That is a huge accomplishment and one that I am extremely proud of.
Recently a favorite couple that are enjoying the hunting and gathering of completing their new home defined their brand of traditional as "arts & crafts meets contemporary punch". I liked it. And it is really true. When choosing substantial pieces (especially case pieces ) for this client we are straight on - Arts & Crafts. When choosing color, texture, finishes and accents, we have a surprising touch of whimsey that has really made this new home an expression of their self confidence and of their well lived lives.
It all started when I was pouring over photographs of past homes that they have owned. I saw a life collection, of not just art, furniture and accessories, but of smiling family and friends sharing the photos. I decided that what was making all of these people be so comfortable in their surroundings was letting the "life" that this couple have lived shine through in every room. Every room shone with celebrations, yoga practices, feasts, and just hanging around on comfortable furnishings that had no sharp edges or angles. The people had no sharp edges either. They were comfy and silly and not taking anything too seriously.
As our interiors have come together, I am reminded over and over that the success of the spaces rests solely on the adaptation of their lives to these spaces, and the transport of the smiling faces to new surroundings with no interuption of it. That is a huge accomplishment and one that I am extremely proud of.
Sunday, October 18, 2009
Well Composed
We have talked about the value of a nurturing space to sleep. We have talked about making it zen for your life. I wanted to share with you what makes my sleep space in my life ZEN for me.
In the midst of life trauma, sometimes memories are the surest soothing that we can seek. Photos and mementos of our life can overwhelm a house. (think Grandma) When treated as art and displayed is artful ways, they can define a life lived well. I have large studio portraits that are truly art of all of my children. They are framed in cherry and depict a time of my life that I will never forget. They do not make me sad, they help me to keep perspective on change, growth and love in my life. I have airbrushed all the family portraits that included my ex and he is gently removed. When he stared down at me, I felt uneasy and sad as if he was in the room, reminding me that it was different. With him removed, I just remember the children that day, posing, complaining, and being silly all during the photo shoots. They DO define me. They knew me when I was stern, working hard, striving for excellence in our robust family, taking time to fix everything that was broken, sleeping little, loving constantly, and never ever giving up on anything.
Today the photos tell me to take it a little easier. Stop and listen when my children speak. Give them time to express how they are, feel and perceive me. Not focus on creating a life, but living a life.
I also have a huge cabinet with glass shelves set at about 5" apart that display all of their little clay, sand, yarn and shell art. I have a shelf for each child that depicts their personality, their bold use of materials, or their unbridled imagination. Some of the pieces are broken, or in a stage of falling apart. Some of them have their names scrawled on them in a 6 year olds hand. Some of them are undistinguishable, as to what they are, or were. But all of them are priceless. If you burned down my house, those little clay figures are what I would save. They are beyond darling. They are my kids. Someday, if they insist, I will give them to them. But until then, I will look at them last before I sleep, and thank my angels and my God for the moments in my life that they have given me to enjoy all the little things. All the beings that grow, change and become themselves with just a sliver of input from me.
Isn't this world just amazing.
In the midst of life trauma, sometimes memories are the surest soothing that we can seek. Photos and mementos of our life can overwhelm a house. (think Grandma) When treated as art and displayed is artful ways, they can define a life lived well. I have large studio portraits that are truly art of all of my children. They are framed in cherry and depict a time of my life that I will never forget. They do not make me sad, they help me to keep perspective on change, growth and love in my life. I have airbrushed all the family portraits that included my ex and he is gently removed. When he stared down at me, I felt uneasy and sad as if he was in the room, reminding me that it was different. With him removed, I just remember the children that day, posing, complaining, and being silly all during the photo shoots. They DO define me. They knew me when I was stern, working hard, striving for excellence in our robust family, taking time to fix everything that was broken, sleeping little, loving constantly, and never ever giving up on anything.
Today the photos tell me to take it a little easier. Stop and listen when my children speak. Give them time to express how they are, feel and perceive me. Not focus on creating a life, but living a life.
I also have a huge cabinet with glass shelves set at about 5" apart that display all of their little clay, sand, yarn and shell art. I have a shelf for each child that depicts their personality, their bold use of materials, or their unbridled imagination. Some of the pieces are broken, or in a stage of falling apart. Some of them have their names scrawled on them in a 6 year olds hand. Some of them are undistinguishable, as to what they are, or were. But all of them are priceless. If you burned down my house, those little clay figures are what I would save. They are beyond darling. They are my kids. Someday, if they insist, I will give them to them. But until then, I will look at them last before I sleep, and thank my angels and my God for the moments in my life that they have given me to enjoy all the little things. All the beings that grow, change and become themselves with just a sliver of input from me.
Isn't this world just amazing.
Friday, October 16, 2009
Where the Wild Things Are
Wow. The visual images in this film have me wanting to go home and do rooms in woven straw, raffia and small sticks.
I loved the film. From an interiors perspective:
The house that Max lives in is simple. The Mom has obviously gone through a tough divorce, and had a difficult time not losing her spirit along with her life. Max is acting out, tearing up the house and trying to survive his emotional baggage along with the rest of the family. His older sister does not protect him from her friends brutality. His mother is wooing a new lover while he longs to just be home.
He escapes to a new land, by sea, in his homemade toothpick boat. He makes new friends, and brings his status as "king" and problem solver to their world. He soon finds that it is just like his world. Full of the same problems, betrayals, and security of just one love. He longs for his mother and to return to her undenied care for him.
He crosses the sea again, to find that the love is now gone, and his sad mother is there just waiting for her loved son to return.
His adventures are full of rich visuals. His world escapes outside of a 1960's house, with siding, a vacant yard, and lonely world. He builds his own world of ice, or twigs. He learns to survive in it, no matter what everyone else does. Isn't that just about all we can teach our children?
I loved the film. From an interiors perspective:
The house that Max lives in is simple. The Mom has obviously gone through a tough divorce, and had a difficult time not losing her spirit along with her life. Max is acting out, tearing up the house and trying to survive his emotional baggage along with the rest of the family. His older sister does not protect him from her friends brutality. His mother is wooing a new lover while he longs to just be home.
He escapes to a new land, by sea, in his homemade toothpick boat. He makes new friends, and brings his status as "king" and problem solver to their world. He soon finds that it is just like his world. Full of the same problems, betrayals, and security of just one love. He longs for his mother and to return to her undenied care for him.
He crosses the sea again, to find that the love is now gone, and his sad mother is there just waiting for her loved son to return.
His adventures are full of rich visuals. His world escapes outside of a 1960's house, with siding, a vacant yard, and lonely world. He builds his own world of ice, or twigs. He learns to survive in it, no matter what everyone else does. Isn't that just about all we can teach our children?
Thursday, October 15, 2009
Shopping the International Markets as a Designer
The most enjoyable part of my job is traveling the world looking for unusual one of a kind pieces of art, architectural fragments, furniture, and other curiosities that I turn into something else.
I have done this for many years, and find the hunt, negotiation, and transport of these items to be not only challenging, but alot of fun. The most interesting story was when I was lead to a find of very old Chinese artefacts in the city of Hunan. My liasion had only heard of this area of China and had never been there himself. We rented a car and driver, and made the two hour drive to the countryside with no real expectations. We found a series of small shacks that were very old and built in a circle. In the center, a dirt assembly, parking lot, workshop emerged. It was really common ground where different collectors worked communally on the pieces in their own shacks. Each shack was full to the roof timbers with furniture, pieces of buildings, doors, ceramics, glass, and a flurry of people working. The story was that this was where pieces were brought from the country and restored or repaired for sale to some of the nicer shops in Guangzhou. To me, it was absolute paradise.
My stores were always ready for new great pieces, and this was an amazing find. I never minded seeing older pieces before they were restored or repaired, so that the work could be coordinated and directed to the taste of my loyal customers back in the midwest. My liasion and I spent a whole day (until darkness and insufficient lighting made us stop) sorting through each shack and negotiating for the items that I needed to send back to my little operation in Michigan. Each piece not only needed to be purchased, but decisions had to be made how I would use it, whether it needed to be put on a post and base for display, like sculpture, or hung on a wall as decoration, or simply sat on a floor or shelf. This was a big deal with the pieces that we found, as some of them were very large, very heavy, or extremely broken.
The first important decision that had to be made was who would be doing the restoration. Not every little shack/shop had their own people and since we did not know their talents, instead with limited time we focused on communicating to the seller of the item that we would handle the repair or restoration ourselves, and we took extensive notes about what we would do to each piece. I always carried a bound book for each trip where I kept detailed notes about each piece that I bought, the age, origination, and condition, so this was not a big deal to add to the information. Each page was a separate vendor with a business card stapled to the corner and the translation of the card in English below.
That was a fateful shipment from Southern China. The pieces were some of the most exquisite that I found in all of my travels there. And they were the oldest. Which became a very big problem. The Chinese Government does not allow any true antiques to leave the country without permission from their Department of Antiquities. All pieces imported needed a red seal (looked like a wax stamp but was actually red liquid plastic stamped) to be able to be loaded in a container. These were way beyond that. It was explained to me as they lanquished in Southern China while the Government decided what could leave and what must stay, that these pieces were significant and that would add alot more time to the process.
One year later the pieces made it through the channels and were loaded into a container. The fact that most of them were building fragments, old signs, and sculpture made the process much more difficult. We ended up receiving about 2/3 of what we paid for that day. I was thrilled.
When the container arrived and finally made it to the stores, we had people waiting for select pieces. It was a huge feeding frenzy, and most were sold within 48 hours of reaching the store.
I was fortunate enough to keep one piece from that load. She is a Female Chinese Goddess, almost life size that sits in my entry foyer today. She is over 200 years old, and was never restored, because of her age and value. She has weathered some huge storms with me, and will never be sold because of this. We are kind of in this together at this point. Like my youngest daughter, also a survivor of Chinese rule, we are joined at the hip, forever.
I have done this for many years, and find the hunt, negotiation, and transport of these items to be not only challenging, but alot of fun. The most interesting story was when I was lead to a find of very old Chinese artefacts in the city of Hunan. My liasion had only heard of this area of China and had never been there himself. We rented a car and driver, and made the two hour drive to the countryside with no real expectations. We found a series of small shacks that were very old and built in a circle. In the center, a dirt assembly, parking lot, workshop emerged. It was really common ground where different collectors worked communally on the pieces in their own shacks. Each shack was full to the roof timbers with furniture, pieces of buildings, doors, ceramics, glass, and a flurry of people working. The story was that this was where pieces were brought from the country and restored or repaired for sale to some of the nicer shops in Guangzhou. To me, it was absolute paradise.
My stores were always ready for new great pieces, and this was an amazing find. I never minded seeing older pieces before they were restored or repaired, so that the work could be coordinated and directed to the taste of my loyal customers back in the midwest. My liasion and I spent a whole day (until darkness and insufficient lighting made us stop) sorting through each shack and negotiating for the items that I needed to send back to my little operation in Michigan. Each piece not only needed to be purchased, but decisions had to be made how I would use it, whether it needed to be put on a post and base for display, like sculpture, or hung on a wall as decoration, or simply sat on a floor or shelf. This was a big deal with the pieces that we found, as some of them were very large, very heavy, or extremely broken.
The first important decision that had to be made was who would be doing the restoration. Not every little shack/shop had their own people and since we did not know their talents, instead with limited time we focused on communicating to the seller of the item that we would handle the repair or restoration ourselves, and we took extensive notes about what we would do to each piece. I always carried a bound book for each trip where I kept detailed notes about each piece that I bought, the age, origination, and condition, so this was not a big deal to add to the information. Each page was a separate vendor with a business card stapled to the corner and the translation of the card in English below.
That was a fateful shipment from Southern China. The pieces were some of the most exquisite that I found in all of my travels there. And they were the oldest. Which became a very big problem. The Chinese Government does not allow any true antiques to leave the country without permission from their Department of Antiquities. All pieces imported needed a red seal (looked like a wax stamp but was actually red liquid plastic stamped) to be able to be loaded in a container. These were way beyond that. It was explained to me as they lanquished in Southern China while the Government decided what could leave and what must stay, that these pieces were significant and that would add alot more time to the process.
One year later the pieces made it through the channels and were loaded into a container. The fact that most of them were building fragments, old signs, and sculpture made the process much more difficult. We ended up receiving about 2/3 of what we paid for that day. I was thrilled.
When the container arrived and finally made it to the stores, we had people waiting for select pieces. It was a huge feeding frenzy, and most were sold within 48 hours of reaching the store.
I was fortunate enough to keep one piece from that load. She is a Female Chinese Goddess, almost life size that sits in my entry foyer today. She is over 200 years old, and was never restored, because of her age and value. She has weathered some huge storms with me, and will never be sold because of this. We are kind of in this together at this point. Like my youngest daughter, also a survivor of Chinese rule, we are joined at the hip, forever.
Wednesday, October 14, 2009
Dessau and the Bauhaus School
Our family visited Dessau Germany in 1996. We were traveling throughout Germany and my manic preoccupation with Bauhaus and it's roots being in Germany lead our travels through many parts of Germany that my young family only tolerated at my direction. The Dessau school (or Institute of Design) was a museum of Bauhaus artifacts left when the Nazis drove out the school in 1933. (many of it's masters ironically traveled to Chicago and changed the city forever - Mies Vander Rohe was probably the most famous one. He blossomed in America and embraced a city of steel and glass and left his mark.) I was mesmerized with the simplistic layout, clean lines of pottery, glass, metal work, textiles, furniture and the buildings of the Bauhaus School in Dessau themselves. Buildings were simply not built that way in 1923 when the first concept of Bauhaus style was developed from De Stijl publications and Russian Constructivism at their starting points.
Bauhaus originated from Walter Gropius and his architectural firm when they displayed Bauhaus products at the International Architecture Exhibition in 1923. Walter was fixated on functional, dynamic architecture, which developed standardized - type housing designs. They were the precursors of apartment buildings and used the building blocks concept of fitting together spaces into interior design that functioned in conjunction with one another. The "Stijl" influence of horizontal - vertical, two dimensionality, squares and cubes to fit together to support one another was new to the world. The press covered it wildly. The whole world was intrigued with the idea that "modern" products were the future. The Bauhaus School claimed modernity and new thinking. The Masters of Bauhaus fought fervently among their ranks. The ideas were new and not everyone agreed with each other.
The dream of a "rural estate " predisposed the Dessau School. To develope an opportunity to build structures and experiment with use of space, formal and technical solutions, and give the whole group of members better living conditions, offer the students Bauhaus based solutions to how they would learn and hands on solutions to explore the products that they developed was a Walter Gropius dream come true. 20 detached houses on a hillside, 50 one family terraced houses on a plateau, and 40 student housing dormitory rooms were planned around a space at the middle of the estate to create a campus planned totally from nothing. All structures were built with the idea that success could bring a second story for growth. Gropius designed a "large scale bulding set" which could be combined in various ways, and based on a set of six components. There was no formal architectural department of study at the school. So the Bauhaus Masters worked together to attend to the details. Marcel Breuer (from the joinery workshop), Georg Muche (a painter) and Farkas Molnar worked to build a design with the six components. Muche would go on to design and build a large apartment complex in the USA. Marcel Breuer worked on a similar project in Germany.
When you visit the school, the political turmoil that plagued the Masters is evident. The Nazis despised the forward thinking of the group. It was labeled subversive and more and more controls were put in place. Any government funding was continually challenged. The Education Reform Movement closed down many comparealbe institutions and the Masters knew that it would not be long before their fate would be sealed.
For a school of it's type to only enjoy ten years of existence, and to make such a dramatic effect on the world is pretty amazing. The textiles, metal work and glass that was developed during that time is still employed today in various design detailing created by Knoll, Architex, Thonet, Herman Miller and many others. The work that continued by Eliel Saarinen, Florence Knoll, Mies VanDerRohe, Harry Bertoia, Marcel Breuer, Wassily Kandinsky, Paul Klee, Lyonel Feininger, and Oskar Schlemmer proved to the world that the Nazis were right. This group of Masters was forward thinking, subversive in accepting the status quo and would change the world. Walking through the rooms of the Bauhaus Dessau was a thrill for me and my young family. The impressions of the prizms of light, the sound of the hollow corridors and the touch of the linen, flax, and cotton textiles will be with me forever.
Bauhaus originated from Walter Gropius and his architectural firm when they displayed Bauhaus products at the International Architecture Exhibition in 1923. Walter was fixated on functional, dynamic architecture, which developed standardized - type housing designs. They were the precursors of apartment buildings and used the building blocks concept of fitting together spaces into interior design that functioned in conjunction with one another. The "Stijl" influence of horizontal - vertical, two dimensionality, squares and cubes to fit together to support one another was new to the world. The press covered it wildly. The whole world was intrigued with the idea that "modern" products were the future. The Bauhaus School claimed modernity and new thinking. The Masters of Bauhaus fought fervently among their ranks. The ideas were new and not everyone agreed with each other.
The dream of a "rural estate " predisposed the Dessau School. To develope an opportunity to build structures and experiment with use of space, formal and technical solutions, and give the whole group of members better living conditions, offer the students Bauhaus based solutions to how they would learn and hands on solutions to explore the products that they developed was a Walter Gropius dream come true. 20 detached houses on a hillside, 50 one family terraced houses on a plateau, and 40 student housing dormitory rooms were planned around a space at the middle of the estate to create a campus planned totally from nothing. All structures were built with the idea that success could bring a second story for growth. Gropius designed a "large scale bulding set" which could be combined in various ways, and based on a set of six components. There was no formal architectural department of study at the school. So the Bauhaus Masters worked together to attend to the details. Marcel Breuer (from the joinery workshop), Georg Muche (a painter) and Farkas Molnar worked to build a design with the six components. Muche would go on to design and build a large apartment complex in the USA. Marcel Breuer worked on a similar project in Germany.
When you visit the school, the political turmoil that plagued the Masters is evident. The Nazis despised the forward thinking of the group. It was labeled subversive and more and more controls were put in place. Any government funding was continually challenged. The Education Reform Movement closed down many comparealbe institutions and the Masters knew that it would not be long before their fate would be sealed.
For a school of it's type to only enjoy ten years of existence, and to make such a dramatic effect on the world is pretty amazing. The textiles, metal work and glass that was developed during that time is still employed today in various design detailing created by Knoll, Architex, Thonet, Herman Miller and many others. The work that continued by Eliel Saarinen, Florence Knoll, Mies VanDerRohe, Harry Bertoia, Marcel Breuer, Wassily Kandinsky, Paul Klee, Lyonel Feininger, and Oskar Schlemmer proved to the world that the Nazis were right. This group of Masters was forward thinking, subversive in accepting the status quo and would change the world. Walking through the rooms of the Bauhaus Dessau was a thrill for me and my young family. The impressions of the prizms of light, the sound of the hollow corridors and the touch of the linen, flax, and cotton textiles will be with me forever.
Tuesday, October 13, 2009
Bali Style
Sensual, vibrant, startling and exuberant ornateness characterizes the easily recognized forms of Bali. Forms that speak a visual language of a people who adore drama, nature and beauty but above all refuse to take life too seriously. Drama is an underlying force, within fabric designs, wood and stone carvings, architecture, performing arts, paintings and expressed in music.
A mild mannered people who live in harmony with nature is a paradox when examining the design elements of their arts. Most of the Balinese people lead simple, rural lives yet their arts are voluptuously grand. Balinese people live in homes with very little comfort, yet when attending religious ceremonies they dress in gold brocade and fabrics that are intricately printed with delicate design detailing.
Everyday dress for men and women is the traditional sarong. A simple rayon printed fabric that is fashioned to drape at the waist is totally in concert with the manner of ease and elegant beauty that Bali represents. Traditionally women were bare breasted, but today a simple cotton or rayon blouse, away from the skin is worn. Older women on the island of Bali still go bare breasted.
Housing is simple, yet artistic. The main pavilion is the living space for the family. We would think of it as a family room and living room as one. Typically influenced by Western style a separate dining area is usually set up. This main pavilion will have extremely high ceilings with open walls. All construction is of coconut wood, and woven thatch. Teak detailing, carving and wood work is merely decorative. The thatch and coconut wood columns offer the structure for the style of Architecture found most commonly in Bali. Seating is large, overstuffed on teak frames. Sofas are grouped into large conversation groupings that are dressed in natural woven cottons made locally. Woven cloth, batiked into bright accents is typically hung high at the ceiling and dresses a space from above. Sometimes waving in the breeze of a ceiling fan or trade winds, depending on location of the structure. Lighting is at the personal space. Floor lamps have bamboo bases, and cotton woven shades. Area rugs are fluffy natural wool, and soft to bare feet. Barefeet are everywhere. Textures are made for bare skin. Soft, supple and snuggly for late afternoon naps and cuddling. Art is found in carvings, old painted carving surfaces and decorative panels built into the architectural structures.
Sleeping rooms are separate wings with shuttered walls, or closeable window walls. These rooms are typically airconditioned for Westerners building in Bali. All beds are draped with bed curtains. Lumunous billowing linen or cotton gauze textiles allow breezes but keep out any insects and offer a privacy factor while sleeping that is intimate and romantic. Tied back during the day with cotton cords and large cotton tassles. Beds are high on platforms of teak. Open beneath with large white cotton duvets and large piles of white pillows. Sink into bedding that offers comfort, closeness and fast sleep. Beds are usually laced with orchids by invisible staff that scents everything with natural flowers and floral essences. Tea is presented at bedtime infused with floral buds and leaves. Sleep is honored on the island.
Bathing spaces are located off the sleeping rooms offering a luxurious approach to bathing that is uncomparable elsewhere. The use of natural stone slabs to form bathtubs, outdoor showers, tile floors glazed to a cool shiny finish, and waterfalls that go from outside to inside and begin a peaceful indulgence in the bathing spaces. Toilets are typically alcoved or separate spaces, with walls covered in grass woven cloth and shined tile floors. Showers are typically made for two and multiple shower heads give choices of rain or spray, and are typically built into walls that are covered in flowers or plantings. The luxury of taking a flower petal bath in a tropical environment is not compareable to any kind of luxury that I have experienced. There is something about coming back to a bath that has been prepared for you after a long day of shopping in hot markets and carrying handmade treasures back to the sleep
space. Slipping into a sarong and woven bamboo sandals and preparing for dinner is extremely laid back Bali Style.
Water, sun, sand, cool cotton sheets, cool tile floors, teak platforms inside and outside, and plunge pools welcome you to an archipelo of islands that are known as Islands of the Gods.
A mild mannered people who live in harmony with nature is a paradox when examining the design elements of their arts. Most of the Balinese people lead simple, rural lives yet their arts are voluptuously grand. Balinese people live in homes with very little comfort, yet when attending religious ceremonies they dress in gold brocade and fabrics that are intricately printed with delicate design detailing.
Everyday dress for men and women is the traditional sarong. A simple rayon printed fabric that is fashioned to drape at the waist is totally in concert with the manner of ease and elegant beauty that Bali represents. Traditionally women were bare breasted, but today a simple cotton or rayon blouse, away from the skin is worn. Older women on the island of Bali still go bare breasted.
Housing is simple, yet artistic. The main pavilion is the living space for the family. We would think of it as a family room and living room as one. Typically influenced by Western style a separate dining area is usually set up. This main pavilion will have extremely high ceilings with open walls. All construction is of coconut wood, and woven thatch. Teak detailing, carving and wood work is merely decorative. The thatch and coconut wood columns offer the structure for the style of Architecture found most commonly in Bali. Seating is large, overstuffed on teak frames. Sofas are grouped into large conversation groupings that are dressed in natural woven cottons made locally. Woven cloth, batiked into bright accents is typically hung high at the ceiling and dresses a space from above. Sometimes waving in the breeze of a ceiling fan or trade winds, depending on location of the structure. Lighting is at the personal space. Floor lamps have bamboo bases, and cotton woven shades. Area rugs are fluffy natural wool, and soft to bare feet. Barefeet are everywhere. Textures are made for bare skin. Soft, supple and snuggly for late afternoon naps and cuddling. Art is found in carvings, old painted carving surfaces and decorative panels built into the architectural structures.
Sleeping rooms are separate wings with shuttered walls, or closeable window walls. These rooms are typically airconditioned for Westerners building in Bali. All beds are draped with bed curtains. Lumunous billowing linen or cotton gauze textiles allow breezes but keep out any insects and offer a privacy factor while sleeping that is intimate and romantic. Tied back during the day with cotton cords and large cotton tassles. Beds are high on platforms of teak. Open beneath with large white cotton duvets and large piles of white pillows. Sink into bedding that offers comfort, closeness and fast sleep. Beds are usually laced with orchids by invisible staff that scents everything with natural flowers and floral essences. Tea is presented at bedtime infused with floral buds and leaves. Sleep is honored on the island.
Bathing spaces are located off the sleeping rooms offering a luxurious approach to bathing that is uncomparable elsewhere. The use of natural stone slabs to form bathtubs, outdoor showers, tile floors glazed to a cool shiny finish, and waterfalls that go from outside to inside and begin a peaceful indulgence in the bathing spaces. Toilets are typically alcoved or separate spaces, with walls covered in grass woven cloth and shined tile floors. Showers are typically made for two and multiple shower heads give choices of rain or spray, and are typically built into walls that are covered in flowers or plantings. The luxury of taking a flower petal bath in a tropical environment is not compareable to any kind of luxury that I have experienced. There is something about coming back to a bath that has been prepared for you after a long day of shopping in hot markets and carrying handmade treasures back to the sleep
space. Slipping into a sarong and woven bamboo sandals and preparing for dinner is extremely laid back Bali Style.
Water, sun, sand, cool cotton sheets, cool tile floors, teak platforms inside and outside, and plunge pools welcome you to an archipelo of islands that are known as Islands of the Gods.
Modern Warm, Not Modern Cold
It is always a distinct pleasure to meet genius in a field of work. It is even better when you get to create and play along side of them. I recently have had the pleasure of doing just that with a developer/builder/real estate tycoon of epic proportions. He has been developing liveable spaces in the Short North Area of Columbus for more years than I can fathom. He has done this slowly with patience, care and dilligence.
Recently Richard Bruggeman embarked on a trio of condos that rivaled neighbors with concrete block, and urban genius. When I first met Richard, introduced by a long time pal from HS days at Worthington HS, namely his darling wife Tina, I instantly saw his kindness and gentle nature. What happened next was the sweet surprise. His insight and spirit of three living spaces that soar above the neighbors and create space from the clouds, borrow sun from the treetops, and open an inside world to all the beauty that an urban area is allowed to see, surprised my design eyes. I have been fortunate enough to work along side Richard to hone this creation into liveable spaces of gorgeous wood, industrial metal, and uninterrupted light. As the design details pull together, and the long time work men focus on their own craft, the rest of us get to see this expression of warm modern, not cold modern pull together.
I feel that my role has been so miniscule. It is almost like I was given a pallette to play on that was such brilliance and creation that I was allowed to shine, and dance to a drum that pulled me along, and nudged me to enjoy the beat. The hickory floors, doors, and built ins are varied and playful within the space. The hardware is natural, and the lighting plays along. The interior quiet spaces present a calm comparison to the active light living spaces. The loft of hickory, rhythmic play of windows, black steel railing and circular steel venting never becomes cold or unreachable. The warmth of sun on wood pulls you in. The kitchen is soft and playful enjoying its' stone versus wood combination and begging us to enjoy all the abundance of a large meal with friends and gather around it.
The condos become homes blended with the natural elements pulled from adjoining spaces. The reach to the sky is perfect. Soaring above noise or activity, the spaces are restful and yet totally energetic at the same time. True urban living with a quiet tone and celebration of the individuality of a neighborhood full of action and verve.
I cannot help but smile at the decisions that evolve. A concrete wall spills water for a fountain built of stone, natural metal and splasing water. Outside art bring color to a private patio framed in climbing soft color tones. Not a large space, but huge in ideas, interaction with the living spaces that spill onto it. A sensitivity of scale that works inside and out.
So as the luckiest designer on this planet plays a little rhyme of color, scale, texture, and home,
the client smiles and honors her with the greatest compliment of all. "It is coming together, isn't it?" She floats away.
Recently Richard Bruggeman embarked on a trio of condos that rivaled neighbors with concrete block, and urban genius. When I first met Richard, introduced by a long time pal from HS days at Worthington HS, namely his darling wife Tina, I instantly saw his kindness and gentle nature. What happened next was the sweet surprise. His insight and spirit of three living spaces that soar above the neighbors and create space from the clouds, borrow sun from the treetops, and open an inside world to all the beauty that an urban area is allowed to see, surprised my design eyes. I have been fortunate enough to work along side Richard to hone this creation into liveable spaces of gorgeous wood, industrial metal, and uninterrupted light. As the design details pull together, and the long time work men focus on their own craft, the rest of us get to see this expression of warm modern, not cold modern pull together.
I feel that my role has been so miniscule. It is almost like I was given a pallette to play on that was such brilliance and creation that I was allowed to shine, and dance to a drum that pulled me along, and nudged me to enjoy the beat. The hickory floors, doors, and built ins are varied and playful within the space. The hardware is natural, and the lighting plays along. The interior quiet spaces present a calm comparison to the active light living spaces. The loft of hickory, rhythmic play of windows, black steel railing and circular steel venting never becomes cold or unreachable. The warmth of sun on wood pulls you in. The kitchen is soft and playful enjoying its' stone versus wood combination and begging us to enjoy all the abundance of a large meal with friends and gather around it.
The condos become homes blended with the natural elements pulled from adjoining spaces. The reach to the sky is perfect. Soaring above noise or activity, the spaces are restful and yet totally energetic at the same time. True urban living with a quiet tone and celebration of the individuality of a neighborhood full of action and verve.
I cannot help but smile at the decisions that evolve. A concrete wall spills water for a fountain built of stone, natural metal and splasing water. Outside art bring color to a private patio framed in climbing soft color tones. Not a large space, but huge in ideas, interaction with the living spaces that spill onto it. A sensitivity of scale that works inside and out.
So as the luckiest designer on this planet plays a little rhyme of color, scale, texture, and home,
the client smiles and honors her with the greatest compliment of all. "It is coming together, isn't it?" She floats away.
Sunday, October 11, 2009
The Good Life
I know this is the last topic that you want a designer to talk about. Stick with color, balance, scale and selection, right? Well I get alot of questions about how to balance living in a space and spending money on expensive pieces that will actually be worth passing down to your children when it is your turn to live abroad, or in that high rise in New York City to watch Broadway plays as you stop working as hard.
The inexpensive furniture that has flooded the market does not lend itself to being moved many times, much less refinished, and passed on to future generations. We have become a "throwaway generation" of non fixable appliances, "art" that is not really art, accessories made of some kind of paste formed into shapes and painted to look like something that we should recognize from some ancient dig somewhere. We all see these pieces of faux something in the
TJ Max's, the World Markets, and the Pier One Imports that surround us outside the mall.
It is fun to see what can be done in China, Pakistan, or the Phillipines with this paste, molds,
and paint. It is not fun to see what happens to these items if they get bumped, dropped, or somehow disturbed in our active homes. Or heaven forbid, if we try to wash them in a dishwasher, use a cleaning product on them, or pack them away with bubble wrap that ends up adhering to the paint while stored and makes some kind of indistinguishable mess.
I think that our quest to do everything inexpensively is our own failing. We think that there must be a way to get that designer look without enlisting the help of our own senses, much less the help of a true designer that has access to the real deal, at wholesale prices. I always think of it as a step in the design process. An educated client is the best client. One who just plain "gets it", is so much more fun to work with.
So now in this time of great real estate deals, we have finally purchased a house that has areas that really need to be coordinated, old owners taste that needs to be eradicated, and a pallette of space that is fun to imagine as our own. So now enters the designer with a studio full of great products (purchased at wholesale), area rugs that are antique, custom made, or just plain hard to get your hands on without the right connections, furniture that works and is worth purchasing, lighting that brightens and serves a purpose, accessories that not only complete, but are worth owning, art that appreciates in value, and custom made draperies, bedding, and accents that pull all of it together. We are starting to glimpse The Good Life, right from our own windows looking out on the rest of the world.
It is not just our trappings that make it an intoxicating goal. It is the feeling of coming home to something that fits our lifestyle. Storage for our stuff (and that of our children, our pets, and our hobbies), room to stretch out, lighting that solves problems, and lights our way. I believe that The Good Life happens to be more about the people that we fill that real estate find with, rather than the color of its walls. But isn't it lovely when the whole interior just kind of honors the people that we pull together to be a part of our world.
The Good Life can be high contrast, low lighting, architectural detailing, a home on the edge of the sea, or a cabin nestled in the trees. But one thing it must do, is cherish those that fill it with love, care, and being together. To do this we begin by thinking of them while we make choices and fundamental decisions lead to comfort, ease of maintenance, and long term life.
The inexpensive furniture that has flooded the market does not lend itself to being moved many times, much less refinished, and passed on to future generations. We have become a "throwaway generation" of non fixable appliances, "art" that is not really art, accessories made of some kind of paste formed into shapes and painted to look like something that we should recognize from some ancient dig somewhere. We all see these pieces of faux something in the
TJ Max's, the World Markets, and the Pier One Imports that surround us outside the mall.
It is fun to see what can be done in China, Pakistan, or the Phillipines with this paste, molds,
and paint. It is not fun to see what happens to these items if they get bumped, dropped, or somehow disturbed in our active homes. Or heaven forbid, if we try to wash them in a dishwasher, use a cleaning product on them, or pack them away with bubble wrap that ends up adhering to the paint while stored and makes some kind of indistinguishable mess.
I think that our quest to do everything inexpensively is our own failing. We think that there must be a way to get that designer look without enlisting the help of our own senses, much less the help of a true designer that has access to the real deal, at wholesale prices. I always think of it as a step in the design process. An educated client is the best client. One who just plain "gets it", is so much more fun to work with.
So now in this time of great real estate deals, we have finally purchased a house that has areas that really need to be coordinated, old owners taste that needs to be eradicated, and a pallette of space that is fun to imagine as our own. So now enters the designer with a studio full of great products (purchased at wholesale), area rugs that are antique, custom made, or just plain hard to get your hands on without the right connections, furniture that works and is worth purchasing, lighting that brightens and serves a purpose, accessories that not only complete, but are worth owning, art that appreciates in value, and custom made draperies, bedding, and accents that pull all of it together. We are starting to glimpse The Good Life, right from our own windows looking out on the rest of the world.
It is not just our trappings that make it an intoxicating goal. It is the feeling of coming home to something that fits our lifestyle. Storage for our stuff (and that of our children, our pets, and our hobbies), room to stretch out, lighting that solves problems, and lights our way. I believe that The Good Life happens to be more about the people that we fill that real estate find with, rather than the color of its walls. But isn't it lovely when the whole interior just kind of honors the people that we pull together to be a part of our world.
The Good Life can be high contrast, low lighting, architectural detailing, a home on the edge of the sea, or a cabin nestled in the trees. But one thing it must do, is cherish those that fill it with love, care, and being together. To do this we begin by thinking of them while we make choices and fundamental decisions lead to comfort, ease of maintenance, and long term life.
Friday, October 9, 2009
A Rainy Day in Columbus
On a rainy day, I tend to be extremely productive.
Something about rain kicks me into high gear.
I had an interesting project to focus on today that took my
concentration and muse to full tilt.
Whenever you are challenged professionally it stretches your
creative brain and brings the light in on all that you can do for that
client. I love a good challenge. Finding large scale pieces of furniture
that will not overwhelm people, but work in larger scale rooms.
It is fun to alter space by softening it. Funny how larger furniture
just speaks to comfort before even experiencing it hands on. Then
of course wood and accents keep it interesting and add surprises.
So now after choosing the major pieces, I get to do the real fun part by
selecting textiles, details, and play with possible layouts to keep it fun.
I am lucky to have this client as part of my studio. They appreciate fun
pieces, bring some attitude into selections, and trust me to do this right for them.
With a new build, the choices are endless and can be overwhelming to some people.
Helping them visualize use of space first, design scale, and watch how the concept
comes alive in their eyes is a favorite part of this process.
Next week we will move on to the real pretty parts of the concept and everything
will begin to speak their language. Luckily this couple appreciate each others opinions
and seem to be able to make decisions easily. A dream come true.
We are having fun getting to know their "design personality" as we talk through
how pieces can be used, and how they can be detailed to pull this all together.
I have the distinct luxury of having a few days to absolutely focus on them, their
immediate needs for keeping the project timetable on track, and have access to them.
Out of town clients are not always accessible to the designer on their project.
The weather for the last couple of days has really helped.
Rainy days are gifts from the design Gods.
Something about rain kicks me into high gear.
I had an interesting project to focus on today that took my
concentration and muse to full tilt.
Whenever you are challenged professionally it stretches your
creative brain and brings the light in on all that you can do for that
client. I love a good challenge. Finding large scale pieces of furniture
that will not overwhelm people, but work in larger scale rooms.
It is fun to alter space by softening it. Funny how larger furniture
just speaks to comfort before even experiencing it hands on. Then
of course wood and accents keep it interesting and add surprises.
So now after choosing the major pieces, I get to do the real fun part by
selecting textiles, details, and play with possible layouts to keep it fun.
I am lucky to have this client as part of my studio. They appreciate fun
pieces, bring some attitude into selections, and trust me to do this right for them.
With a new build, the choices are endless and can be overwhelming to some people.
Helping them visualize use of space first, design scale, and watch how the concept
comes alive in their eyes is a favorite part of this process.
Next week we will move on to the real pretty parts of the concept and everything
will begin to speak their language. Luckily this couple appreciate each others opinions
and seem to be able to make decisions easily. A dream come true.
We are having fun getting to know their "design personality" as we talk through
how pieces can be used, and how they can be detailed to pull this all together.
I have the distinct luxury of having a few days to absolutely focus on them, their
immediate needs for keeping the project timetable on track, and have access to them.
Out of town clients are not always accessible to the designer on their project.
The weather for the last couple of days has really helped.
Rainy days are gifts from the design Gods.
Thursday, October 8, 2009
As I sit here waiting for Grandma's Apple Dumplings to finish baking
Comfort food.
Everyone has their own vision of that.
What does it mean to you and your family?
Comfort interiors are even more important.
I recently had a client that used the term
"nurture me" when she described her goals
for interior design in her new home.
We focused on soft tactile textiles that were softer
to the touch than what most people are used too.
We focused on soft lighting, and privacey in her interiors.
She needed cuddle spaces, and reading spaces, and small
entertainment spaces. She is a busy executive and cherishes
her time at home. It "feeds my soul" was her explanation.
Our accomplishment came as she began entertaining in the
new spaces and the environment supported her need for comfort.
She felt comfortable inviting people in and not giving up her private
spaces, and her nurturing spaces while the house was full of family and
friends.
We all have a vision of what personal comfort is. To some it is a space
to practice your faith. To some it is a hot soak, after the kids are tucked
in before you become a partner and person at the end of a crazy day of kids,
schedules and work. To others it is carving out "me space" from a home full
of noise, cooking, activity and entertaining.
Whatever it is to you, you must embrace it and support it with good design,
and an understanding that space like this is no accident. It is a part of a design
process where needs are established and programmed into a final product.
And now, as I pull the apple dumplings out of the oven for my returning
college son to eat before bed, I move through the house to my comfort haven.
My bath has been drawn. My bed is turned down. I am comfy and winding down
from a busy day of solving problems, and will just focus on my life, my breathing,
and sleeping like a baby. Who could ask for more? Sweet dreams!
Everyone has their own vision of that.
What does it mean to you and your family?
Comfort interiors are even more important.
I recently had a client that used the term
"nurture me" when she described her goals
for interior design in her new home.
We focused on soft tactile textiles that were softer
to the touch than what most people are used too.
We focused on soft lighting, and privacey in her interiors.
She needed cuddle spaces, and reading spaces, and small
entertainment spaces. She is a busy executive and cherishes
her time at home. It "feeds my soul" was her explanation.
Our accomplishment came as she began entertaining in the
new spaces and the environment supported her need for comfort.
She felt comfortable inviting people in and not giving up her private
spaces, and her nurturing spaces while the house was full of family and
friends.
We all have a vision of what personal comfort is. To some it is a space
to practice your faith. To some it is a hot soak, after the kids are tucked
in before you become a partner and person at the end of a crazy day of kids,
schedules and work. To others it is carving out "me space" from a home full
of noise, cooking, activity and entertaining.
Whatever it is to you, you must embrace it and support it with good design,
and an understanding that space like this is no accident. It is a part of a design
process where needs are established and programmed into a final product.
And now, as I pull the apple dumplings out of the oven for my returning
college son to eat before bed, I move through the house to my comfort haven.
My bath has been drawn. My bed is turned down. I am comfy and winding down
from a busy day of solving problems, and will just focus on my life, my breathing,
and sleeping like a baby. Who could ask for more? Sweet dreams!
Wednesday, October 7, 2009
Design is Life
I raised five children in an extremely well designed house where no rooms or furniture were
"off limits". Whenever friends and their children would stop by they would always say "where do you want the kids to play?". I always said "this is their house, they play everywhere". I used to tell the kids that they had to respect the things in the house that we all cherished:
Our family
Our time together
Our life of giving and sharing
Our friends and family
I never remember telling them not to touch anything, or not to be in a certain room. We lived all through our 7200 square foot house. I always said that it was "bullet proof". And it really was.
I had a very large firm of over 22 designers. We did design work for some of the toughest clients that there were. Healthcare, government, schools, law firms, insurance companies, nursing homes, and the homes of all of the execs that trusted us with their lives at home and at work. These were not easy interiors to design. They had to have form follow function (Sullivan said it - and we believed it) and had to last until the next budget allowed for replacement, which could be a long long time. We understood life safety codes, fire codes, and wear data. We were experts in ergonomics and programming spaces to fit the person and the need. But most of all we were designers that listened to the needs of a diverse population and solved problems with limited dollars and lots of enthusiasm.
Christy Associates Inc. was a long standing community leader of driven professionals of the highest calibre. We always had fun, and we always worked hard. The results were vibrant and energetic interiors that really made a difference to a vast client base.
The most important thing was that it was really fun. My designers were empowered to interpret needs, deliver great design and to make the most of every budget dollar spent.
We were always dealing with a recession, State of Michigan budget cuts, cut backs in spending from one sector or another. Design in Michigan is no mecha. It is mostly survival of the fittest, and the rest is sheer grit and stamina. After leaving the state and taking my practice to Ohio,
I began to realize how much fun design was all of a sudden. I could not get over how nice it was to work with positive people, budgets that were not constantly cut, and people that seemed to really care about this business of interior design.
Design is life. It is light, tones, drama, neutrals, positive feedback, making a difference, sharing ideas, listening, and knowing when to speak. Design is what I choose to do because it makes so many people happy. Design is what I choose to do because it really feeds my soul.
There is no other business that does all of these things with an accent color and a splash of light.
I love this business because it is how I live. It is positive and it is real. You can touch it, and walk into it. You know it is there because it supports all that you do. Design is my life.
"off limits". Whenever friends and their children would stop by they would always say "where do you want the kids to play?". I always said "this is their house, they play everywhere". I used to tell the kids that they had to respect the things in the house that we all cherished:
Our family
Our time together
Our life of giving and sharing
Our friends and family
I never remember telling them not to touch anything, or not to be in a certain room. We lived all through our 7200 square foot house. I always said that it was "bullet proof". And it really was.
I had a very large firm of over 22 designers. We did design work for some of the toughest clients that there were. Healthcare, government, schools, law firms, insurance companies, nursing homes, and the homes of all of the execs that trusted us with their lives at home and at work. These were not easy interiors to design. They had to have form follow function (Sullivan said it - and we believed it) and had to last until the next budget allowed for replacement, which could be a long long time. We understood life safety codes, fire codes, and wear data. We were experts in ergonomics and programming spaces to fit the person and the need. But most of all we were designers that listened to the needs of a diverse population and solved problems with limited dollars and lots of enthusiasm.
Christy Associates Inc. was a long standing community leader of driven professionals of the highest calibre. We always had fun, and we always worked hard. The results were vibrant and energetic interiors that really made a difference to a vast client base.
The most important thing was that it was really fun. My designers were empowered to interpret needs, deliver great design and to make the most of every budget dollar spent.
We were always dealing with a recession, State of Michigan budget cuts, cut backs in spending from one sector or another. Design in Michigan is no mecha. It is mostly survival of the fittest, and the rest is sheer grit and stamina. After leaving the state and taking my practice to Ohio,
I began to realize how much fun design was all of a sudden. I could not get over how nice it was to work with positive people, budgets that were not constantly cut, and people that seemed to really care about this business of interior design.
Design is life. It is light, tones, drama, neutrals, positive feedback, making a difference, sharing ideas, listening, and knowing when to speak. Design is what I choose to do because it makes so many people happy. Design is what I choose to do because it really feeds my soul.
There is no other business that does all of these things with an accent color and a splash of light.
I love this business because it is how I live. It is positive and it is real. You can touch it, and walk into it. You know it is there because it supports all that you do. Design is my life.
New Color Statements
Color is a fascinating aspect of interior design that is fun to follow.
The nice thing about it is that it can be brought into a current interior
with a can of good paint, or well placed accent pieces.
Techno Color - is a new term for a grouping of colors that have
me intrigued. They are extremely liveable, and soft.
They gravitate toward pinks, soft blues, and soft greens.
All of this has to be punctuated with a bit of an urban look
in bringing in concrete, or stainless in an architectural way.
Also we need neutrals in the space that are dark in their undertones
and a bit subdued. Think Urban Contemporary with Arts & Crafts
combined.
What you get is a softness that trancends time. Not a trendy statement
here, but timeless in application.
You will not find Techno Color in your Wikepedia index. It is really
my terminology for a color pallette that is evolving in my studio.
I am using it in a fun project currently - truly inspired by an amazing
client that sees no color boundaries. We have dabbled in many directions,
but the focus on good Arts & Crafts antiques brings us back to this
color scheme of soft understated hues.
So I am off to have a day full of Techno Color and finishing up details
for a client from heaven.
The nice thing about it is that it can be brought into a current interior
with a can of good paint, or well placed accent pieces.
Techno Color - is a new term for a grouping of colors that have
me intrigued. They are extremely liveable, and soft.
They gravitate toward pinks, soft blues, and soft greens.
All of this has to be punctuated with a bit of an urban look
in bringing in concrete, or stainless in an architectural way.
Also we need neutrals in the space that are dark in their undertones
and a bit subdued. Think Urban Contemporary with Arts & Crafts
combined.
What you get is a softness that trancends time. Not a trendy statement
here, but timeless in application.
You will not find Techno Color in your Wikepedia index. It is really
my terminology for a color pallette that is evolving in my studio.
I am using it in a fun project currently - truly inspired by an amazing
client that sees no color boundaries. We have dabbled in many directions,
but the focus on good Arts & Crafts antiques brings us back to this
color scheme of soft understated hues.
So I am off to have a day full of Techno Color and finishing up details
for a client from heaven.
Tuesday, October 6, 2009
The Devil is in the Details
I am reminded of why not just anyone can be an interior designer.
The sheer overwhelming amount of details that define my job are impressive.
From the beginning of a project, whether it is an existing space, or a new build,
the amount of decisions to be made, the organization and documentation of those
choices is extremely important to make a project function correctly.
Designers are lucky today. We have AutoCad, emails, 3 D programs that illustrate every
angle a view can take, digital photographs, blogs (like this one) to introduce the true essence
of who we are as professionals, and of course the cell phone.
It has changed so much that older designers often find that it is impossible to keep up with the
techno part of what they must do. Communication in varied venues challenges the creative
thinker to adjust to the client, and speak with their medium. If your client texts you, you must respond with text messages. If your client phones, you must answer their calls and be available when they have time to chat about a problem or a perceived solution. If your client wants face to face meetings involving all of the team, you must be willing to slow down and do this to speak
in their language, and hear them speak.
I was reminded yesterday during a meeting with a very precious client of mine that the most important role of a designer is that of a listener. That is why the mode of communication is so important. If we fail to hear our client express their needs, concerns, or problems, then programming has failed and we cannot possible solve their problem. We don't even know what it is.
So as we get innundated with text messages, emails, voicemails, and facebook page messages,
we must remember our most important role in the whole design process. We must remember that us receiving the information is paramount to the success of any project. We must stop,
listen to the message and then repeat it as a statement of fact.
I find the process of listening, hearing, interpreting and creating to be a fascinating series of steps that test the talents of the creative mind. It is not my taste that I reflect in what I do for my clients. It is their taste that I visualize, hone to perfection, and create in their space for their loved ones. When I do that and am successful, the ideas all become theirs. The choices are easy, and the decisions flow. That is my focus and satisfaction as a designer.
Thanks for listening.
The sheer overwhelming amount of details that define my job are impressive.
From the beginning of a project, whether it is an existing space, or a new build,
the amount of decisions to be made, the organization and documentation of those
choices is extremely important to make a project function correctly.
Designers are lucky today. We have AutoCad, emails, 3 D programs that illustrate every
angle a view can take, digital photographs, blogs (like this one) to introduce the true essence
of who we are as professionals, and of course the cell phone.
It has changed so much that older designers often find that it is impossible to keep up with the
techno part of what they must do. Communication in varied venues challenges the creative
thinker to adjust to the client, and speak with their medium. If your client texts you, you must respond with text messages. If your client phones, you must answer their calls and be available when they have time to chat about a problem or a perceived solution. If your client wants face to face meetings involving all of the team, you must be willing to slow down and do this to speak
in their language, and hear them speak.
I was reminded yesterday during a meeting with a very precious client of mine that the most important role of a designer is that of a listener. That is why the mode of communication is so important. If we fail to hear our client express their needs, concerns, or problems, then programming has failed and we cannot possible solve their problem. We don't even know what it is.
So as we get innundated with text messages, emails, voicemails, and facebook page messages,
we must remember our most important role in the whole design process. We must remember that us receiving the information is paramount to the success of any project. We must stop,
listen to the message and then repeat it as a statement of fact.
I find the process of listening, hearing, interpreting and creating to be a fascinating series of steps that test the talents of the creative mind. It is not my taste that I reflect in what I do for my clients. It is their taste that I visualize, hone to perfection, and create in their space for their loved ones. When I do that and am successful, the ideas all become theirs. The choices are easy, and the decisions flow. That is my focus and satisfaction as a designer.
Thanks for listening.
Monday, October 5, 2009
Interior Design is Mostly Passion
I decided to become a designer when I was thirteen years old.
To me, nothing could match the excitement of actually changing my surroundings.
The idea that you could transform something ugly or worn or dated, into something
of beauty was just a bit of magic.
Once I attended a design school and began to learn the rules, the relationships of objects,
and the theories of use of color, my intellect intersected with my passion, and I was off and
running.
Then you add to that a client with a problem that you can solve. I was hooked.
Problem solving is where the talent meets the training and becomes magical.
I spent twenty two years building a practice in Michigan of interior design work
focused on extreme problem solving. I was involved in healthcare interior design
and got to make a difference in the healing and comfort of those in pain, and those in
some kind of professional care. It blossomed into an extreme passion for me.
Upon big changes in my life, directed by the karma life Gods, presumably not by me,
but by fortune, I was thrust into a community that was open and willing to embrace
the design that I am passionate for. This part of my journey is not only rewarding,
but also full of more magic than I could ever imagine. The grace and courage that it
takes to start over, leave your comfort zone and venture into a new community was
quickly replaced by the sheer adventure of meeting new people, and beginning to understand
that not everything in life is wrought by struggle and strife. Some decisions are just
simply made out of the sheer joy of enjoying what you are doing, and experiencing.
I love design more than I can say. It affords me the life that I live. Feeds my soul,
and connects me with the world around me in a way that beautifies it everyday.
I thank the karma Gods, the unspoken universe for helping me to stay with my
passion, when I was tempted to leave her along Highway 23 on this journey to my
new life.
It just keeps getting better.
To me, nothing could match the excitement of actually changing my surroundings.
The idea that you could transform something ugly or worn or dated, into something
of beauty was just a bit of magic.
Once I attended a design school and began to learn the rules, the relationships of objects,
and the theories of use of color, my intellect intersected with my passion, and I was off and
running.
Then you add to that a client with a problem that you can solve. I was hooked.
Problem solving is where the talent meets the training and becomes magical.
I spent twenty two years building a practice in Michigan of interior design work
focused on extreme problem solving. I was involved in healthcare interior design
and got to make a difference in the healing and comfort of those in pain, and those in
some kind of professional care. It blossomed into an extreme passion for me.
Upon big changes in my life, directed by the karma life Gods, presumably not by me,
but by fortune, I was thrust into a community that was open and willing to embrace
the design that I am passionate for. This part of my journey is not only rewarding,
but also full of more magic than I could ever imagine. The grace and courage that it
takes to start over, leave your comfort zone and venture into a new community was
quickly replaced by the sheer adventure of meeting new people, and beginning to understand
that not everything in life is wrought by struggle and strife. Some decisions are just
simply made out of the sheer joy of enjoying what you are doing, and experiencing.
I love design more than I can say. It affords me the life that I live. Feeds my soul,
and connects me with the world around me in a way that beautifies it everyday.
I thank the karma Gods, the unspoken universe for helping me to stay with my
passion, when I was tempted to leave her along Highway 23 on this journey to my
new life.
It just keeps getting better.
Sunday, October 4, 2009
Wake up to a luxury space that nurtures you.
As I woke this morning watching the morning sunlight spill on to my Aubusson rug in my Master Bedroom, it ocurred to me that not everyone gets this wonderful start to their day.
A nurturing soft space to go to sleep in, or wake up in is so luxurious. And easily done.
Soften the edges of your zen space.
Fill it with personal pieces that bring you peace.
Remember to use neutrals to make it more sleepable.
Remember to use luxurious fabrics, or the appearance of them to
lull you to sleep.
As they said about Mozart, don't confuse the senses with too many notes.
Give your mind and body a rest as it enters your sleep zone.
We are all multi taskers. The space where this should not be a priority is
the space where you sleep. Your sleep patterns change as you go through
periods of your life.
Waking babies. (up and down all night - able to fall asleep
on the doctors table waiting for her to see you)
Nocturnal teenagers. (waiting for return home, broken sleep)
Falling in love. (no time to sleep - but major cuddling - reading the New York Times in bed -
hanging out - feeling luxury - feeling soft and warm)
Dealing with tragedy or transition. (speaking to your God - lighting a candle for a loved one - finding peace in your inner world)
Illness. (allowing others in - total nurturing space)
The design of your sleeping space can evolve as your life evolves.
The constant in this is the need to find a comfort color, or color pallette that allows you
to let go of the world, end your day in peace and quiet, and nurture your soul with your sleep.
I love to use opulent fabrics, quiet colors, or soft neutrals, overstuffed furniture (with no sharp
edges) and the elements of fire (soft fireplace materials), water (adjacent to a bath space that
allows water sounds to enter the sleep space), light (windows that are large, able to be opened, and ideally doors for access to the outdoors), soft sounds, and entry area that allows transition to the space. Of course not every sleep space is ideal for all of the above, but with good design,
mindful choices and your personal situation in mind, all of this can be accomplished.
If you are doing all of the above without a professional, now might be the time to reach out,
embrace the designer that you trust and let them in. They will enhance your dreams and your
wakings with the current offerings of lighting, textiles, and combinations that work in your life.
Happy sleeping.
A nurturing soft space to go to sleep in, or wake up in is so luxurious. And easily done.
Soften the edges of your zen space.
Fill it with personal pieces that bring you peace.
Remember to use neutrals to make it more sleepable.
Remember to use luxurious fabrics, or the appearance of them to
lull you to sleep.
As they said about Mozart, don't confuse the senses with too many notes.
Give your mind and body a rest as it enters your sleep zone.
We are all multi taskers. The space where this should not be a priority is
the space where you sleep. Your sleep patterns change as you go through
periods of your life.
Waking babies. (up and down all night - able to fall asleep
on the doctors table waiting for her to see you)
Nocturnal teenagers. (waiting for return home, broken sleep)
Falling in love. (no time to sleep - but major cuddling - reading the New York Times in bed -
hanging out - feeling luxury - feeling soft and warm)
Dealing with tragedy or transition. (speaking to your God - lighting a candle for a loved one - finding peace in your inner world)
Illness. (allowing others in - total nurturing space)
The design of your sleeping space can evolve as your life evolves.
The constant in this is the need to find a comfort color, or color pallette that allows you
to let go of the world, end your day in peace and quiet, and nurture your soul with your sleep.
I love to use opulent fabrics, quiet colors, or soft neutrals, overstuffed furniture (with no sharp
edges) and the elements of fire (soft fireplace materials), water (adjacent to a bath space that
allows water sounds to enter the sleep space), light (windows that are large, able to be opened, and ideally doors for access to the outdoors), soft sounds, and entry area that allows transition to the space. Of course not every sleep space is ideal for all of the above, but with good design,
mindful choices and your personal situation in mind, all of this can be accomplished.
If you are doing all of the above without a professional, now might be the time to reach out,
embrace the designer that you trust and let them in. They will enhance your dreams and your
wakings with the current offerings of lighting, textiles, and combinations that work in your life.
Happy sleeping.
Saturday, October 3, 2009
Interior Design is a part of everyday life.
I am part of an elite group of interior designers that are tested, CEU'd, and educated to provide professional services to my clients. I have always done all the right things professionally to gain the recognition and credentials to practice my profession. Because of this, I guess you might think that interior design is expensive and not for everyone.
I have come to realize that this is simply not true. Good design is actually cheaper than making mistakes in our environments that mean so much to us. Choosing the right kind of storage,
the right textile and the comfortable furniture is priceless, and saves the hassle of doing it wrong,
living with it, and then eventually paying to replace it.
I have watched bargain hunters travel to North Carolina with graph paper drawings in hand of their rooms, offices or projects. They meet with salespeople, get sold, and come home to wait patiently. After the rush wears off, and they start to reconsider their choices, the money that they spent and the true belief that they actually saved money by doing all of this themselves, they typically panic. The day the furniture arrives, and they see that
1) Scale is an important part of what a designer interprets
2) Quality of showroom samples can differ from actual products
3) Color is affected by source, and color of light in a space
4) Paying someone to make these decisions can save marriages, save money,
and make our nights softly dreamable again.
Being a designer is often a thankless job. Great clients shower you with gratitude, invite you into their lives, and become long term friends.
Tougher clients second guess you, make bad decisons in spite of your advice,
and blame you when it is not "what they paid for".
I love what I do. I enjoy the mystery and illusions that we create as design professionals. I also
love difficult clients. I think it is the middle child in me that does not mind always working for approval. I also love to please the unpleaseable. Thrill the pessimist. Make the unhappy person smile when interiors come together. I guess that when the draperies are installed and the area rugs are set in place, the accessories are installed, and the furniture becomes a family
throne, I just like to sit back and watch design support life.
To me that is the greatest gift that I can receive from those that I have come to love.
See you tomorrow to discuss more about a profession that captivates me, inspires me,
and lets me be a little bit crazy, all in fun.
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